Trigger Warning: Short Fictions and Disturbances Page 13
“You know what I never asked,” she said, “is what about you? What would you wish for if I asked what your three wishes were?”
I thought for a moment. I put my arm around her, and she snuggled her head into my shoulder.
“It’s okay,” I told her. “I’m good.”
November Tale
The brazier was small and square and made of an aged and fire-blackened metal that might have been copper or brass. It had caught Eloise’s eye at the garage sale because it was twined with animals that might have been dragons and might have been sea-snakes. One of them was missing its head.
It was only a dollar, and Eloise bought it, along with a red hat with a feather on the side. She began to regret buying the hat even before she got home, and thought perhaps she would give it to someone as a gift. But the letter from the hospital had been waiting for her when she got home, and she put the brazier in the back garden and the hat in the closet as you went into the house, and had not thought of either of them again.
The months had passed, and so had the desire to leave the house. Every day made her weaker, and each day took more from her. She moved her bed to the room downstairs, because it hurt to walk, because she was too exhausted to climb the stairs, because it was simpler.
November came, and with it the knowledge that she would never see Christmas.
There are things you cannot throw away, things you cannot leave for your loved ones to find when you are gone. Things you have to burn.
She took a black cardboard folder filled with papers and letters and old photographs out into the garden. She filled the brazier with fallen twigs and brown paper shopping bags, and she lit it with a barbecue lighter. Only when it was burning did she open the folder.
She started with the letters, particularly the ones she would not want other people to see. When she had been at university there had been a professor and a relationship, if you could call it that, which had gone very dark and very wrong very fast. She had all his letters paper-clipped together, and she dropped them, one by one, into the flames. There was a photograph of the two of them together, and she dropped it into the brazier last of all, and watched it curl and blacken.
She was reaching for the next thing in the cardboard folder when she realized that she could not remember the professor’s name, or what he taught, or why the relationship had hurt her as it did, left her almost suicidal for the following year.
The next thing was a photograph of her old dog, Lassie, on her back beside the oak tree in the backyard. Lassie was dead these seven years, but the tree was still there, leafless now in the November chill. She tossed the photograph into the brazier. She had loved that dog.
She glanced over to the tree, remembering . . .
There was no tree in the backyard.
There wasn’t even a tree stump; only a faded November lawn, strewn with fallen leaves from the trees next door.
Eloise saw it, and she did not worry that she had gone mad. She got up stiffly and walked into the house. Her reflection in the mirror shocked her, as it always did these days. Her hair so thin, so sparse, her face so gaunt.
She picked up the papers from the table beside her makeshift bed: a letter from her oncologist was on the top, beneath it a dozen pages of numbers and words. There were more papers beneath it, all with the hospital logo on the top of the first page. She picked them up and, for good measure, she picked up the hospital bills as well. Insurance covered so much of it, but not all.
She walked back outside, pausing in the kitchen to catch her breath.
The brazier waited, and she threw her medical information into the flames. She watched them brown and blacken and turn to ash on the November wind.
Eloise got up, when the last of the medical records had burned away, and she walked inside. The mirror in the hall showed her an Eloise both familiar and new: she had thick brown hair, and she smiled at herself from the looking glass as if she loved life and trailed comfort in her wake.
Eloise went to the hall closet. There was a red hat on the shelf she could barely remember, but she put it on, worried that the red might make her face look washed out and sallow. She looked in the mirror. She appeared just fine. She tipped the hat at a jauntier angle.
Outside the last of the smoke from the black snake-wound brazier drifted on the chilly November air.
December Tale
Summer on the streets is hard, but you can sleep in a park in the summer without dying from the cold. Winter is different. Winter can be lethal. And even if it isn’t, the cold still takes you as its special homeless friend, and it insinuates itself into every part of your life.
Donna had learned from the old hands. The trick, they told her, is to sleep wherever you can during the day—the Circle line is good, buy a ticket and ride all day, snoozing in the carriage, and so are the kinds of cheap cafés where they don’t mind an eighteen-year-old girl spending fifty pence on a cup of tea and then dozing off in a corner for an hour or three, as long as she looks more or less respectable—but to keep moving at night, when the temperatures plummet, and the warm places close their doors, and lock them, and turn off the lights.
It was nine at night and Donna was walking. She kept to well-lit areas, and she wasn’t ashamed to ask for money. Not anymore. People could always say no, and mostly they did.
There was nothing familiar about the woman on the street corner. If there had been, Donna wouldn’t have approached her. It was her nightmare, someone from Biddenden seeing her like this: the shame, and the fear that they’d tell her mum (who never said much, who only said “good riddance” when she heard Gran had died) and then her mum would tell her dad, and he might just come down here and look for her, and try to bring her home. And that would break her. She didn’t ever want to see him again.
The woman on the corner had stopped, puzzled, and was looking around as if she was lost. Lost people were sometimes good for change, if you could tell them the way to where they wanted to go.
Donna stepped closer, and said, “Spare any change?”
The woman looked down at her. And then the expression on her face changed and she looked like . . . Donna understood the cliché then, understood why people would say She looked like she had seen a ghost. She did. The woman said, “You?”
“Me?” said Donna. If she had recognized the woman she might have backed away, she might even have run off, but she didn’t know her. The woman looked a little like Donna’s mum, but kinder, softer, plump where Donna’s mum was pinched. It was hard to see what she really looked like because she was wearing thick black winter clothes, and a thick woolen bobble cap, but her hair beneath the cap was as orange as Donna’s own.
The woman said, “Donna.” Donna would have run then, but she didn’t, she stayed where she was because it was just too crazy, too unlikely, too ridiculous for words.
The woman said, “Oh god. Donna. You are you, aren’t you? I remember.” Then she stopped. She seemed to be blinking back tears.
Donna looked at the woman, as an unlikely, ridiculous idea filled her head, and she said, “Are you who I think you are?”
The woman nodded. “I’m you,” she said. “Or I will be. One day. I was walking this way remembering what it was like back when I . . . when you . . .” Again she stopped. “Listen. It won’t be like this for you forever. Or even for very long. Just don’t do anything stupid. And don’t do anything permanent. I promise it will be all right. Like the YouTube videos, you know? It Gets Better.”
“What’s a you tube?” asked Donna.
“Oh, lovey,” said the woman. And she put her arms around Donna and pulled her close and held her tight.
“Will you take me home with you?” asked Donna.
“I can’t,” said the woman. “Home isn’t there for you yet. You haven’t met any of the people who are going to help you get off the street, or help you get a job. You haven’t met the person who’s going to turn out to be your partner. And you’ll both make a place that’s safe, for eac
h other and for your children. Somewhere warm.”
Donna felt the anger rising inside her. “Why are you telling me this?” she asked.
“So you know it gets better. To give you hope.”
Donna stepped back. “I don’t want hope,” she said. “I want somewhere warm. I want a home. I want it now. Not in twenty years.”
A hurt expression on the placid face. “It’s sooner than twen—”
“I don’t care! It’s not tonight. I don’t have anywhere to go. And I’m cold. Have you got any change?”
The woman nodded. “Here,” she said. She opened her purse and took out a twenty-pound note. Donna took it, but the money didn’t look like any currency she was familiar with. She looked back at the woman to ask her something, but she was gone, and when Donna looked back at her hand, so was the money.
She stood there shivering. The money was gone, if it had ever been there. But she had kept one thing: she knew it would all work out someday. In the end. And she knew that she didn’t need to do anything stupid. She didn’t have to buy one last Underground ticket just to be able to jump down onto the tracks when she saw a train coming, too close to stop.
The winter wind was bitter, and it bit her and it cut her to the bone, but still, she spotted something blown up against a shop doorway, and she reached down and picked it up: a five-pound note. Perhaps tomorrow would be easier. She didn’t have to do any of the things she had imagined herself doing.
December could be lethal, when you were out on the streets. But not this year. Not tonight.
The Case of Death and Honey
IT WAS A MYSTERY in those parts for years what had happened to the old white ghost man, the barbarian with his huge shoulder-bag. There were some who supposed him to have been murdered, and, later, they dug up the floor of Old Gao’s little shack high on the hillside, looking for treasure, but they found nothing but ash and fire-blackened tin trays.
This was after Old Gao himself had vanished, you understand, and before his son came back from Lijiang to take over the beehives on the hill.
THIS IS THE PROBLEM, wrote Holmes in 1899: Ennui. And lack of interest. Or rather, it all becomes too easy. When the joy of solving crimes is the challenge, the possibility that you cannot, why then the crimes have something to hold your attention. But when each crime is soluble, and so easily soluble at that, why then there is no point in solving them.
Look: this man has been murdered. Well then, someone murdered him. He was murdered for one or more of a tiny handful of reasons: he inconvenienced someone, or he had something that someone wanted, or he had angered someone. Where is the challenge in that?
I would read in the dailies an account of a crime that had the police baffled, and I would find that I had solved it, in broad strokes if not in detail, before I had finished the article. Crime is too soluble. It dissolves. Why call the police and tell them the answers to their mysteries? I leave it, over and over again, as a challenge for them, as it is no challenge for me.
I am only alive when I perceive a challenge.
The bees of the misty hills, hills so high that they were sometimes called a mountain, were humming in the pale summer sun as they moved from spring flower to spring flower on the slope. Old Gao listened to them without pleasure. His cousin, in the village across the valley, had many dozens of hives, all of them already filling with honey, even this early in the year; also, the honey was as white as snow-jade. Old Gao did not believe that the white honey tasted any better than the yellow or light-brown honey that his own bees produced, although his bees produced it in meager quantities, but his cousin could sell his white honey for twice what Old Gao could get for the best honey he had.
On his cousin’s side of the hill, the bees were earnest, hardworking, golden-brown workers, who brought pollen and nectar back to the hives in enormous quantities. Old Gao’s bees were ill-tempered and black, shiny as bullets, who produced as much honey as they needed to get through the winter and only a little more: enough for Old Gao to sell from door to door, to his fellow villagers, one small lump of honeycomb at a time. He would charge more for the brood-comb, filled with bee-larvae, sweet-tasting morsels of protein, when he had brood-comb to sell, which was rarely, for the bees were angry and sullen and everything they did, they did as little as possible, including make more bees, and Old Gao was always aware that each piece of brood-comb he sold were bees he would not have to make honey for him to sell later in the year.
Old Gao was as sullen and as sharp as his bees. He had had a wife once, but she had died in childbirth. The son who had killed her lived for a week, then died himself. There would be nobody to say the funeral rites for Old Gao, no-one to clean his grave for festivals or to put offerings upon it. He would die unremembered, as unremarkable and as unremarked as his bees.
The old white stranger came over the mountains in late spring of that year, as soon as the roads were passable, with a huge brown bag strapped to his shoulders. Old Gao heard about him before he met him.
“There is a barbarian who is looking at bees,” said his cousin.
Old Gao said nothing. He had gone to his cousin to buy a pailful of second-rate comb, damaged or uncapped and liable soon to spoil. He bought it cheaply to feed to his own bees, and if he sold some of it in his own village, no one was any the wiser. The two men were drinking tea in Gao’s cousin’s hut on the hillside. From late spring, when the first honey started to flow, until first frost, Gao’s cousin left his house in the village and went to live in the hut on the hillside, to live and to sleep beside his beehives, for fear of thieves. His wife and his children would take the honeycomb and the bottles of snow-white honey down the hill to sell.
Old Gao was not afraid of thieves. The shiny black bees of Old Gao’s hives would have no mercy on anyone who disturbed them. He slept in his village, unless it was time to collect the honey.
“I will send him to you,” said Gao’s cousin. “Answer his questions, show him your bees and he will pay you.”
“He speaks our tongue?”
“His dialect is atrocious. He said he learned to speak from sailors, and they were mostly Cantonese. But he learns fast, although he is old.”
Old Gao grunted, uninterested in sailors. It was late in the morning, and there was still four hours’ walking across the valley to his village, in the heat of the day. He finished his tea. His cousin drank finer tea than Old Gao had ever been able to afford.
He reached his hives while it was still light, put the majority of the uncapped honey into his weakest hives. He had eleven hives. His cousin had over a hundred. Old Gao was stung twice doing this, on the back of the hand and the back of the neck. He had been stung over a thousand times in his life. He could not have told you how many times. He barely noticed the stings of other bees, but the stings of his own black bees always hurt, even if they no longer swelled or burned.
The next day a boy came to Old Gao’s house in the village, to tell him that there was someone—and that the someone was a giant foreigner—who was asking for him. Old Gao simply grunted. He walked across the village with the boy at his steady pace, while the boy ran ahead, and soon was lost to sight.
Old Gao found the stranger sitting drinking tea on the porch of the Widow Zhang’s house. Old Gao had known the Widow Zhang’s mother, fifty years ago. She had been a friend of his wife. Now she was long dead. He did not believe anyone who had known his wife still lived. The Widow Zhang fetched Old Gao tea, introduced him to the elderly barbarian, who had removed his bag and sat beside the small table.
They sipped their tea. The barbarian said, “I wish to see your bees.”
MYCROFT’S DEATH WAS THE end of Empire, and no one knew it but the two of us. He lay in that pale room, his only covering a thin white sheet, as if he were already becoming a ghost from the popular imagination, and needed only eyeholes in the sheet to finish the impression.
I had imagined that his illness might have wasted him away, but he seemed huger than ever, his fingers swollen
into white suet sausages.
I said, “Good evening, Mycroft. Doctor Hopkins tells me you have two weeks to live, and stated that I was under no circumstances to inform you of this.”
“The man’s a dunderhead,” said Mycroft, his breath coming in huge wheezes between the words. “I will not make it to Friday.”
“Saturday at least,” I said.
“You always were an optimist. No, Thursday evening and then I shall be nothing more than an exercise in practical geometry for Hopkins and the funeral directors at Snigsby and Malterson, who will have the challenge, given the narrowness of the doors and corridors, of getting my carcass out of this room and out of the building.”
“I had wondered,” I said. “Particularly given the staircase. But they will take out the window-frame and lower you to the street like a grand piano.”
Mycroft snorted at that. Then, “I am fifty-four years old, Sherlock. In my head is the British government. Not the ballot and hustings nonsense, but the business of the thing. There is no one else knows what the troop movements in the hills of Afghanistan have to do with the desolate shores of North Wales, no one else who sees the whole picture. Can you imagine the mess that this lot and their children will make of Indian Independence?”
I had not previously given any thought to the matter. “Will it become independent?”
“Inevitably. In thirty years, at the outside. I have written several recent memoranda on the topic. As I have on so many other subjects. There are memoranda on the Russian Revolution—that’ll be along within the decade I’ll wager—and on the German problem and . . . oh, so many others. Not that I expect them to be read or understood.” Another wheeze. My brother’s lungs rattled like the windows in an empty house. “You know, if I were to live, the British Empire might last another thousand years, bringing peace and improvement to the world.”